Skaitytojui siūlomas leidinys sudarytas iš mokslinių straipsnių, pristatytų ir perskaitytų dvyliktojoje tarptautinėje muzikos teorijos konferencijoje „Muzikos komponavimo principai: muzikos ir vaizduojamųjų menų sąsajos“, vykusioje 2012 m. spalio 16–19 d. Vilniuje.
Konferencijos rengėjai – Lietuvos muzikos ir teatro akademija ir Lietuvos kompozitorių sąjunga.
Beveik trisdešimt straipsnių konferencijoje pristatė muzikologai ir kompozitoriai iš įvairių šalių (Baltarusija, Graikija, Lenkija, Rumunija, Gruzija, JAV, Australija, Izraelis, Prancūzija, Rusija, Lietuva).
Straipsniai
- Pratarmė
- Foreword
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Anna Shvets.
Contemporary Music and Visual Arts in the Light of Postmodern Philosophy -
Markos Lekkas.
Optical and Acoustical Gestalt, Illusioning the Brain -
Mantautas Krukauskas.
Lithuanian Memes in M. K. Čiurlionis Music, Paintings and Texts -
Rimantas Janeliauskas.
Realization of Sound and Image Ethnoarchetypes in M. K. Čiurlionis’ Compositions -
Gražina Daunoravičienė.
A Sketch of Art Nouveau Signs in M. K. Čiurlionis’ Music -
Bianca Ţiplea Temeş.
The Image Behind the Music: Visual Elements in Ligeti’s Oeuvre -
Ewa Kowalska-Zając.
The Genre of Music Graphics in the Output of Polish Composers in the 2nd Half of the 20th Century -
Achilleas Chaldaeakes & Anastasia Georgaki.
Visual Aspects of Byzantine Music Modes: Exploring the “Ethos” of Byzantine Melopoeia through Acoustic Analysis -
Laima Vilimienė.
Musical Painting and Painterly Music in Oeuvre of A. Schoenberg and W. Kandinsky -
Kalliopi Stiga.
Words, Pictures, Sounds: ‘Greekness’ Expressed by Odysseus Elytis, Yannis Ritsos and Mikis Theodorakis -
Larisa Elisha.
Giants of French Impressionism in Music and Visual Art -
Steven Elisha.
Inspiration and Connection: Solomon Valley Inspires Landscape Paintings, a Solo Cello Suite, Haiku Poetry and 24 Kansas Communities -
Inesa Dvuzhylnaya.
Musicality of Grigory Frid’s Painting -
Blake Parham.
Andrzej Panufnik and Andre Dzierzynski: Art, Music and Poland -
Irena Friedland.
Ut Pictura Musica: Interactions between Igor Stravinsky’ Concerto for Piano and Wind Instruments and Analytic Cubism in Visual Arts -
Anamaria Mădălina Hotoran.
Music and Paintings in Eduard Terényi’s Creation -
Eka Chabashvili.
Music Inside of the Pictures and the Process for the Visualization of Music by the Multi-topophonic Composition Technique -
Antanas Kučinskas.
Interaction between Music and Image in Film: Presumptions and Typology -
Igor Vorobyov.
“Derivative Replication” in the Soviet Art of the 1930–1950s (as Seen through the Examples of Friedrich Ermler’s Film “She is Defending the Motherland” and Gavriil Popov’s Symphony N. 2 “The Motherland”) -
Marina Lupishko.
Music and Architecture: Engaging in a Dialogue? (Some Problems and Promises within the “Frozen” Parallel) -
Inga Jankauskienė.
Sounding Picturesque City -
Ljudmila Kazantseva.
The Musical Portrait -
Lina Navickaitė-Martinelli.
Composing Identities: Visual Representations of Music Performers -
Marta Szoka.
Visual Aspects of the Music Performance -
Margarita Katunyan.
The Concert Paradigm in the 16th and 17th Centuries: Sound and the Audiovisual Conception of Space - Apie autorius / About the authors
- Priedas. Spalvotos iliustracijos / Appendix. Coloured illustrations