This publication is comprised of scientific articles made at the 7th international music theory conference “Principles of Music Composing: Musical Text“ held on 9–11 May 2007 in Vilnius. At the conference the speakers devoted the greatest attention to the following three subthemes, namely first – elucidation conceptions of musical text and tradition; second – the process of music textualization and principles, the editing and restoration of text; third – musical text and the specificity of musical instruments.
Articles
- Pratarmė
- Foreword
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Rimantas Astrauskas.
Musical Notation in Collection by Christian Bartsch “Dainu Balsai” -
Margarita Katunyan.
Visual Aspects of Musical Text -
Rimantas Janeliauskas.
The Aspects of the Signification of a Musical Text -
Kalliopi Stiga.
“The Song of the Dead Brother” of Mikis Theodorakis: a Contemporary Popular Musical Tragedy -
Daiva Dženkaitienė .
The Principles of the Notation of the Renaissance Polyphonic Music -
Fernando Martín Pastor.
Drafts, Borrowed Materials and the Myth of the “Infallibility” of the Composer: Reconstructing the Compositional Process of The Rite of Spring -
Sandra Vojcic.
Understanding the Limping Meters: from Brass Band to Ligeti -
Rima Povilionienė.
Several Mathematical Aspects of Music Motation in the 20th Century Music Composition -
Anton Rovner.
Schoenberg, Busoni and Kandinsky: a New Approach to Expression of Text and Music -
Darius Kučinskas.
Some Thoughts about Musical Text, Manuscript and Čiurlionis’ Music -
Rimantas Janeliauskas.
M. K. Čiurlionis‘ Last Unrecognized Musical Cycle -
Lindsay Davidson.
Mantroch – an Orchestral Voice for Pipers and an Instructional Tool for Young Composers -
Francis Rousseaux.
GATITO: Gestural Analyser for the Assistance with the Improvisation with the Trumpet -
Paul Ramshaw.
Things that Are Not: an Ontology of (de)Composition -
Mantautas Krukauskas.
Similarities of a Musical Text and Computer Program Source Code: New Music Metrics Possibilities - Autoriai / Authors