This publication is comprised of scientific reports made at the fifth international music theory conference “Principles of Music Composing: Creative Process” held on 13–15 October 2005 in Vilnius. At the conference, the speakers particularly actively responded to the following three subthemes of the conference: first – the specific character of the composer’s creative process, second – the character of creation and composition, third – types and typologies of a creative process.
Articles
- Pratarmė
- Foreword
-
Daiva Račiūnaitė-Vyčinienė.
Sutartinės “Collecting“: a Canon and Creative Process -
Margarita Katunyan.
The New Commentary as the Strategy of Self-identification by Means of Myth -
Audronė Žiūraitytė.
Transformation of Resources in Creative Process: Homage to Fryderyk in Onutė Narbutaitė’s Autumn Ritornello -
Leon Stefanija.
The Idea of the Absolute in Music as an Idea of Processuality: The Case of Uroš Rojko -
Susan K. de Ghize.
Yin and Yang à la Schoenberg: Balance in Brahms’s Rhythmically Developing Variations -
Marta Szoka.
Genealogical Aspects of Creative Process in George Crumb -
Panayiotis A. Kokoras.
Morphopoiesis: Towards a Creative Process of Structuring Form -
Deborah Ungar.
Perception of Time and Reflection in Music: Alfred North Whitehead and Elliott Carter’s String Quartet No. 2 -
Rima Povilionienė.
Influence of Mathematics on the Process of Music Composition in 20th Century -
Martin Wesley-Smith.
Concepts of Audio-visual Composition in My Own Work -
Paul Roe.
A Phenomenology of Collaboration in Contemporary Composition and Performance -
Katya Slutskaya Levine.
The Cultural Exotics or the Art Organism? The Creation of “Jewishness” in Shostakovich’s Music -
Fernando Martin Pastor.
The Perception of a Dynamic Time: Carter’s Riconoscenza per Goffredo Petrassi -
Stephen Downes.
F. Poulenc’s Compositional Diary: A Source for Analysis of Creative Process and Hermeneutic Interpretation -
Shuann Chai.
The Lulu Rondo: A Study of Contextual Representation -
Rimantas Janeliauskas.
Types Creative Activities of Composer -
Paul Ramshaw.
Lost in Music: Understanding the Hermeneutic Overlap in Musical Composition, Performance and Improvisation -
Nico Schüler.
Creative Music Processes as the “Object” of Otto Laske’s Cognitive Musicology -
Rimantas Janeliauskas.
M. K. Čiurlionis‘ Unrecognized Cycle (1907, Druskininkai–Warsaw)