- Pratarmė
- Foreword
-
Justyna Humięcka-Jakubowska.
What Are the Philosophical, Aesthetic and Creative Implications of the Activities of the Second Musical Avant-Garde? -
Miloš Zatkalik.
Obfuscation and Clarification: Reflections on Post-tonal Teleology -
Aistė Vaitkevičiūtė.
Sensory Manifestation: Aesthetic Presumptions of Timbre Actualization in the Second Half of the 20th Century -
Marius Baranauskas.
Structural Principles of Orchestration in the Second Half of the 20th Century -
Magdalena Stochniol.
Categories Inspired by Linguistics and Cognitive Psychology as Useful Tools in Music Analysis, Based on the Example of In Croce (1979) by Sofia Gubaidulina -
Zita Bružaitė.
Composing Music: In-Between Tradition and Innovation -
Rimantas Janeliauskas.
Binary Principle as a Way of the Actualization of Lithuanianness in Music -
Anat Viks.
Between Nationalism and Postmodernism: Betty Olivero’s Achot Ketana and Zimaar -
Agnieszka Nowok.
On the Limit of Cultures and Arts: The Specificity of the Creative Activity of José Maria Sánchez-Verdú -
Paulina Nalivaikaitė.
Transtextuality in Lithuanian and Serbian Postmodern Music -
Manos Panayiotakis.
Modes, Spectra and Intuition -
Antanas Kučinskas.
Soundscape Composition in Lithuania: From Interpretation to Documentation -
Katarzyna Bartos.
Grażyna Pstrokońska-Nawratil’s Nature-Inspired Music -
James Williams.
Creative Departures from Compositional Principles: A Collaborative Case Study of Contemporary, Theatrical Minimalism with Live Electronics -
Martin Vishnick.
Creating a Sound-Based Aesthetic for Music Played on the Classical Guitar -
Małgorzata Kaniowska.
The Conductor versus the Composer: The Limits of Interference in the Interpretation of Contemporary Music Using the Example of Ryszard and Aleksander Gabryś’ Compositions -
Anna Stachura-Bogusławska.
Faces of Avant-Garde in the Works of Upper Silesian Composers (Poland) in the 1960s and the 1970s -
Maciej Kabza.
The Influence of Rock Music Aesthetics on the Works of Louis Andriessen - Apie autorius / About the authors
Muzikos komponavimo principai XVI: XX a. antroji pusė – XXI a. pradžia | 2016
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