This publication includes scientific reports made at the 1st international conference on musical theory “Composing Principles: Theory and Practice” held on 22–24 April 2001 in Vilnius.
Here one can find articles focused on three principal subthemes: a theoretical expression of composing principles, a historical dispersion of composing principles and the issues of contemporary composition. The aim of this publication is to give fresh impetus to the development of a theoretical thought in the sphere of composition practice and a teaching process.
Articles
- Pratarmė
- Preface
-
Ignace Bossuyt.
Imitation, adaptation, arrangement: current compositional practices in the Middle Ages and the Renaissance exemplified by a comparison between French chansons of Orlando di Lasso and Jean de Castro -
Daiva Dženkaitienė.
Cantus firmus funkcija Renesanso muzikoje -
Algirdas Ambrazas.
Die Lehre von Heinrich Schenker im musikwissenschaftlichen Kontext des 20. Jahrhunderts -
Giovanni Grosskopf.
NonTonalAnalysis: a different approach to the analysis of atonal chords: achieving a clearly perceivable directional logic in atonal harmony -
Mart Jaanson.
On verticals in Stravinsky’s “Abraham and Isaac” -
Михаил Просняков.
Изменения принципа композиции в современной Новой музыке -
Juri Cholopow.
Sonorik bei Karlheinz Stockhausen: ein musikhistorischer Aspekt -
Маргарита Катунян.
Сакральный канон как архетип минималистской композиции -
Antanas Kučinskas.
Simetriniai formos modeliai minimalistinėje muzikoje -
Гражина Дауноравичене.
Антиномизация пpинципа музыкальной формы: диалог исследовательских интерпретаций в XX веке -
Rimantas Janeliauskas.
Komponavimo principų sistematikos pradmenys