- Pratarmė
- Foreword
- I. Romantinio komponavimo paradigma ir jos atspindžiai M. K. Čiurlionio kūryboje / The Paradigm of Romantic Music Composing and its Reflections in M. K. Čiurlionis Oeuvre
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Pavel Puşcaş.
Philosophy and Poetry in German Romantic Music -
Mantautas Krukauskas.
Interdisciplinary Links in M. K. Čiurlionis Music, Paintings and Texts -
Tatyana Voloshina.
“Marinistika” (Sea Imagery Reflection) as a Phenomenon of Composer’s Synthetic Thinking in the Works of M. K. Čiurlionis -
Rima Povilionienė.
Fugue in B-flat Minor by Čiurlionis: Structural and Semantic Analysis -
Rimantas Janeliauskas.
Musical Archetypes in M. K. Čiurlionis’ Cycles - II. Tautinės romantinės muzikos komponavimo autentika laikmečio ir geografijos dimensijose / The Authentic National Romantic Music Composing in Geografical and Time Dimensions
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Markos Lekkas.
Towards a Vernacular Sonata? -
Kalliopi Stiga, Evangelia Kopsalidou.
“Thanatos as Muse”: from German National Romanticism to Greek Contemporary Music -
Margarita Katunyan.
Schumann’s Impressions in the 20th Century Music: The New Commentary as a Form of Cultural Self-Identification -
Peter Purin.
A Waltz in Four? The Manipulation of Accompaniment Schemata in the Identification of Stephen Sondheim’s Musical Style -
Inga Jankauskienė.
The Idea of United Europe in Music: Polonaise and Chorale -
Achilleas Chaldaeakes.
“… old wine into new bottles …” The Continuity of the Tradition in the Contemporary Composition Practice of Byzantine Music -
Anton Rovner.
The Aesthetics of Russian Symbolism as Demonstrated in Sergei Protopopoff’s Vocal Cycles “Youth” and “Poem of Love” -
Igor Vorobyev.
“The Wartime Letters” by Valery Gavrilin: a Dialogue with the Romantic Tradition - III. Romantizmo tradicijos tąsa ir iššūkiai modernioje komponavimo praktikoje / The Continuity and Chalenges of Romantic Tradition in Modern Composition Practice
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Vangelis Karafillidis.
Nicolas Astrinidis (1921-2010): Compositional Languages in his “Deux Pièces en Style Grec” for Violin and Piano -
Luminiţa Guţanu.
The Amalgamation of Greek Folk Music with Western Musical Tradition in Vangelis Karafillidis’ “Variations on a Greek Island Dance” and “Micrographies” Nos. 3 & 4 -
Francisco Monteiro.
Portuguese Music in the Last 100 Years: Searching for an Identity -
Jānis Kudiņš.
The Tendency of Neo-Romanticism in the Symphonic Music of Latvian Composers in the Early 21st Century. Several Aspects of the Local Stylistic Traditions in the Symphonic Works by Pēteris Vasks, Juris Karlsons and Arturs Maskats -
Svetlana Barkauskas.
The Human and the World in the Seventh Symphony of Vytautas Barkauskas -
Rimantas Astrauskas.
The World Music Paradigm in the Creative Works of the Lithuanian Composers -
Inesa Dvuzhylnaya.
The Works of Lev Abeliovich (1912, Vilno-1985 Minsk) in the History of Musical Culture of Belarus: Reflecting on National Self-Identification - Apie autorius / About the Authors
Principles of Music Composing XI: National Romanticism and Contemporary Music | 2011
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