- Pratarmė
- Foreword
-
Miloš Zatkalik.
Musical Teleology between Newton, Prigogine and Deleuze (with Spinoza Becoming Musical) -
Roger Redgate.
Where Are We Going? Teleological Structures in New Music -
Jimmie LeBlanc .
Musical Form as a Complex of Virtual Problematic Fields and Processes of Actualization: Emergent Teleologies in Beethoven’s “Kreutzer” Sonata, Op. 47 (1803) -
Edson Zampronha.
A Semiotic Approach to Explain Musical Teleology by Means of Musical Intelligibility -
Agata Krawczyk.
Differences and Similarities in Approach to Teleology in Symphony No. 1 and Symphony No. 3 by Hanna Kulenty -
Gražina Daunoravičienė.
Discourse of the Genotype Canon versus the 12-tone Technique of Eduardas Balsys’ Music -
Svetlana Barkauskas.
Vytautas Barkauskas’ Quintet in a Teleological Aspect -
Rimantas Janeliauskas.
Teleological Transformations of Timbral Texture in the Orchestral Music of the 20th Century -
Vytautas Germanavičius.
Microtonal Peculiarities in Lithuanian Folk Songs as the Background for Scale Construction in Bloomy Ice for String Orchestra (2020) -
Martin Vishnick.
Decision-making in Improvised Music -
Thomas Metcalf.
Pixelation as a Teleological Strategy in Music Composition -
Rima Povilionienė.
Microdimensional Shaping of Glissando. Nakas’s Nude (2004), Janulytė’s Radiance (2015), and Mažulis’s Solipse (2018) -
Nico Schüler.
Orientation Processes and Perspectivism in Music Analysis - Apie autorius / About the authors
Muzikos komponavimo principai XX: teleologijos fenomenas | 2020
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