Muzikos komponavimo principai XV: melodijos fenomenas | 2015

• Teoriniai, istoriniai ir technologiniai melodijos aspektai / Theoretical, Historical and Technological Aspects of Melody
  • Rimantas Janeliauskas.
    Actualization of the Archetypes of a Melodic Line in M. K. Čiurlionis’ and the 20th Century Composers’ Works
  • Cécile Bardoux Lovén.
    Disjunct Intervals within Melody: Meanings and Functions through Schenkerian and Post-Schenkerian Theories
  • Liudmila Kazantseva.
    Melody and Intonation
  • Markos Lekkas.
    Reflecting on the Generation of Zero, Lombardus Anonymous and Guido
  • Sigitas Mickis.
    Parametrical Judgment of the Cognitive Melodic Realm: A Technological Aspect
  • Martin Vishnick.
    A Spectral Approach to Melodic Development within a Sound-Sculpting Environment for Classical Guitar
• Estetiniai, stilistiniai ir semantiniai melodijos aspektai / Aesthetic, Stylistic and Semantic Aspects of Melody
  • Ramūnas Motiekaitis.
    Tōru Takemitsu’s Music and the Aesthetic Values of Japan
  • Dimitris Papageorgiou.
    The Notion of Seyir as a Conceptual and Typological Scheme for Comprovisation
  • Charris Efthimiou.
    On the Instrumentation of the Melody Line in Alessandro Rolla’s Symphonies D4 and e1 (1803–1811)
  • Baiba Jaunslaviete.
    Some Types of Melodious Interpretation of the Monogram: A Case Study of the Monogram by Maija Einfelde (E-F-[E]-D-E)
  • Rimantas Astrauskas.
    Linear Composing Strategies in Arrangements of Lithuanian Traditional Songs by Mikalojus K. Čiurlionis
  • Inga Jankauskienė.
    Specifics of Musical Genre and Melody in it
  • Pathorn Srikaranonda.
    The Melodic Construction of Pero Vaz de Sequeira, a Historical Music-Drama in Ten Cantos and Three Epistles
  • Kalliopi Stiga.
    The Epic-Lyric Melody of Mikis Theodorakis: An Original Melodic Phenomenon?
• Melodija šiuolaikinėje komponavimo praktikoje / Melody in Contemporary Composing practice
  • Lawrence Dunn.
    Melody in Experimental Music: An Excursion
  • Rytis Mažulis.
    Composing Microtonal Melody
  • Chad Langford.
    Locating the Melodic within Pre-Compositional Frameworks
  • Zita Bružaitė.
    Canons of Melodic Punctuation in the Works of Lithuanian Composers
  • Manos Panayiotakis.
    Exotic Sounds in the Melodic Shaping of George Crumb’s Middle Period Works
  • Andrius Maslekovas.
    Manifestations of a Diagonal Dimension in Quasi-Melodic Elements of Sonoristic Music: Incantation of the Freezing Haze for flute solo by Andrius Maslekovas
• Apie autorius / About the authors

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